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Recent

  • Bonjour Tristesse

    Bonjour Tristesse

    The opening tile sequence to Durga Chew-Bose's Bonjour Tristesse is just enough and very much the mood

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  • An Update from the Editor in Chief

    An Update from the Editor in Chief

    An update from Art of the Title's Editor in Chief

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  • Top Five: Chloe Okuno

    Top Five: Chloe Okuno

    Director and screenwriter Chloe Okuno discusses her favorite title sequences including horror from the '70s  and '90s and how important sound design is for setting tone

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Recommended

  • Shōgun
  • Silo
  • The Beekeeper
  • Beetlejuice
  • Zardoz
  • Batman
  • Enemy
  • He Got Game

Classic

  • Casino
  • It’s a Mad Mad Mad Mad World
  • The Good, the Bad and the Ugly
  • Medium Cool
View all features View all titles

Designers

  • Aaron Becker •
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  • Alan Williams •
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  • Allison Brownmoore •
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  • Saul Bass •
  • Sekani Solomon •
  • Simon Cassels •
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  • Soyeon Kim •
  • Stefan G. Bucher
  • Stéphane Coëdel •
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  • Susan Bradley •
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  • The Chiodo Bros. •
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  • Tom Barham •
  • Tom Kan •
  • Upasana Nattoji Roy •
  • Victoria Vaus
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  • Wayne Fitzgerald •
  • Wenden K. Baldwin •
  • William Lebeda •
  • Xiaolin Zeng •
  • Yashoda Parthasarthy •
  • Yi-Jen Liu •
  • Yongsub Song •
  • Yuanchen Jiang
  • Zephyr
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Studios

  • 344 Design
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  • Balsmeyer & Everett, Inc.
  • Big Film Design
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  • Huge Designs
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  • Laika
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  • leftchannel
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  • M & Co.
  • Me & the Bootmaker
  • Method Design
  • MK12
  • Molinare
  • Momoco
  • Nexus Productions
  • Nina Saxon Film Design
  • NuFrame
  • Oily Film Company
  • Pacific Title and Art Studio
  • Perception
  • Peter Anderson Studio
  • PIC Agency
  • Picturemill
  • Pixar Animation Studios
  • Plexus
  • Plucky
  • Prologue Films
  • R/Greenberg Associates (R/GA)
  • Rankin/Bass Productions
  • Rattling Stick
  • REANIMATION
  • Sarofsky Corp.
  • Saxon/Ross Film Design
  • Sci-FX Studio
  • Shine
  • Shynola
  • Smith & Lee Design
  • Smog
  • Struck
  • Studio Dialog
  • The Mill
  • The Morrison Studio
  • The Panics
  • Tomato
  • Troublemaker Studios
  • Twinart
  • VooDooDog
  • WERK
  • Weta Digital
  • Yellowshed
  • yU+co
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• Full interview available, click to view.

Designer

Elaine Bass

Elaine Bass

Elaine Bass (née Makatura) is an American title designer and filmmaker. She was the partner and close collaborator of designer and filmmaker Saul Bass for more than 40 years.

In the 1960s, Elaine contributed to the title sequences for Spartacus (1960), West Side Story (1961), Something Wild (1962), Walk on the Wild Side (1962), Nine Hours to Rama (1963), The Victors (1963), Seconds (1966), and Grand Prix (1966), and in the ’80s and ’90s to Broadcast News (1987), Tonkô (1988), Big (1988), The War of the Roses (1989), Goodfellas (1990), Doc Hollywood (1991), Cape Fear (1991), Mr. Saturday Night (1992), The Age of Innocence (1993), Higher Learning (1995), and Casino (1995). 

IMAGE: Casino credit for Elaine & Saul Bass

Credits for Elaine & Saul Bass in the Casino (1995) main titles

Born to Hungarian immigrants in New York in 1927, Elaine’s early years were full of drawing and singing. From age twelve to eighteen, she and her sisters sang professionally as the Belmont Sisters. Thereafter, Elaine worked in the ready-to-wear fashion industry in New York until leaving for Los Angeles in 1947, where she got a job in the design department at Capitol Records.

IMAGE: Saul and Elaine work out a special effect

Saul and Elaine Bass work out a special effect, 1967

In 1955 Elaine got a job as the assistant to graphic and title designer Saul Bass. In 1960 Elaine directed on her own for the first time with the opening title sequence to Spartacus. Much of Saul Bass’s title design and film work thereafter was made in close collaboration with Elaine. The following year, Saul and Elaine married. In the ’60s, they collaborated on the title sequences to West Side Story (1961), Walk on the Wild Side (1962), Nine Hours to Rama (1963), The Victors (1963), Seconds (1966), and Grand Prix (1966).

After the birth of their children, Jennifer in 1964 and Jeffrey in 1967, the Basses stepped away from titles to concentrate on their family and short films. Their first joint venture into short filmmaking was with promotional films for two pavilions at the 1964 World’s Fair, From Here to There for United Airlines and The Searching Eye for Eastman Kodak. In 1968, they made the short film Why Man Creates, which won an Oscar.

Why Man Creates (1968), the Oscar-winning short film directed by Saul and Elaine Bass

About this period, Saul has said,

“Elaine and I feel we are there to serve the film and to approach the task with a sense of responsibility. We saw a lot of pyrotechnics and fun and games and I suppose we lost interest. At the same time, an increasing number of directors now sought to open their own films in ambitious ways rather than hire someone else to do it. Whatever the reasons, the result was ‘Fade Out.’ We did not worry about it: we had too many other interesting projects to get on with. Equally, because we still loved the process of making titles, we were happy to take it up again when asked. ‘Fade In’…"

Bass was “rediscovered” by James L. Brooks and Martin Scorsese in the late ’80s, who urged the Basses to return to main title design. They created the title sequences for films Broadcast News, Big, Mr. Saturday Night, The War of the Roses, Higher Learning, and for Scorsese, Goodfellas, Cape Fear, The Age of Innocence, and Casino, their last title sequence together. 

After the death of Saul Bass in 1996, Elaine collaborated with title designer Pablo Ferro to update the opening for the remake of Psycho (1998).

In a sense, all modern opening title sequences that introduce the mood or theme of a film are a legacy of the Basses’ work.

Articles

  • The Title Design of Saul and Elaine Bass

    The Title Design of Saul and Elaine Bass

    feature

  • Psycho

    Psycho

    interview

  • Casino

    Casino

    summary

  • Higher Learning

    Higher Learning

    title only

  • The Age of Innocence

    The Age of Innocence

    summary

  • Mr. Saturday Night

    Mr. Saturday Night

    title only

  • Cape Fear

    Cape Fear

    summary

  • Goodfellas

    Goodfellas

    summary

  • The War of the Roses

    The War of the Roses

    summary

  • Tonkô

    Tonkô

    summary

  • Big

    Big

    title only

  • Broadcast News

    Broadcast News

    summary

  • Grand Prix

    Grand Prix

    summary

  • Seconds

    Seconds

    summary

  • The Victors

    The Victors

    summary

  • Nine Hours to Rama

    Nine Hours to Rama

    summary

  • Walk on the Wild Side

    Walk on the Wild Side

    summary

  • Something Wild

    Something Wild

    summary

  • West Side Story

    West Side Story

    summary

  • Spartacus

    Spartacus

    summary

  • Complete filmography
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